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In light of the exhibition Jamie Wyeth, Rockwell Kent, and Monhegan, this lecture will look at one of Kent’s contemporaries, George Bellows. Both Kent and Bellows were students of Robert Henri, who introduced them to Monhegan Island. Unlike Kent, who rarely painted urban scenes, Bellow’s early paintings of New York celebrated the city’s bigness and boldness. This lecture will look at a number of Bellows’ urban themes, why his paintings were acclaimed by conservatives, progressives, and radicals alike, and will also explore his engagement with the sea following his visit to Monhegan Island with Robert Henri.
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